Tech Tuesdays - Tripod

Upon reflection from the last Tech Tuesday, I discovered I may be getting a little ahead of myself.

Since this blog is supposed to be tailored towards newcomers, I realized the last thing on a beginner’s mind is, “what non-essential products should I get?” So for today’s Tech Tuesday, we’ll be looking at an item that is an absolute necessity for any individual pursuing a hobby/career in film—the tripod.

Credit

The tripod is the foundation for still, steady shots. More so than the Steadicam, the tripod is much more versatile in the function it serves. A typical $40 video tripod from BestBuy can do the trick for still shots, but when the camera has to track movement, a higher quality tripod is needed.

So what tripod should you get?

The most important thing when looking for a tripod is knowing the difference between a tripod for photo and a tripod for video—that being the head they use.

Credit

Typically, photo tripod heads consist of a ball-joint with a camera mount on top. This allows a photographer to drop his tripod on any uneven surface, adjust his camera on the ball joint to what they need, snap a picture, and move onto the next shot.

Credit

Video tripod heads are slightly more complex. All video heads will have a long operating arm, removable mounting plate, and a pan and tilt feature with knobs that adjust the amount of resistance. Resistance is important because it helps dampen the movements from the operator and keeps the camera smooth. Resistance can be achieved in a couple ways but each method will heavily influence the price.

Very cheap heads will use friction as the method for resistance. The reason this doesn’t work well is because the movement is inconsistent—the camera will jerk when applying and releasing force.

A step up from friction-based heads is a fluid effect head. These are essentially still friction heads but with an added lubricant to reduce the jerking effect. They work better than their cheaper counterparts but they still aren’t professional quality.

The most professional quality is only possible with a true fluid head. Like the name suggests, these heads contain internal tanks of fluid that allow for the smoothest movement possible. If professional quality is what you are after, the true fluid head should be at the top of the list.

Another feature to consider is a counterbalance system. When setting up your tripod for a shot, it’s important to be able to leave the camera unattended and come back to it without the head shifting. It tends to feature on expensive tripod heads only but it’s worth the investment just in how much it saves time.

Credit

Once you have a head picked out, you’ll want to pair it with a good set of legs. As a general rule, the thicker, lighter, and sturdier the legs, the better. I prefer legs with clamp locks but I'll leave that up to you. 

Credit

One final key feature to look for in tripod legs is a bowl socket. The bowl socket works the same way as the ball joint on a photo head. It allows for quick and easy setup without having to perfectly level the tripod legs. When shooting outdoors, having a tripod with this feature will save you a lot of time and headaches.

Unfortunately, I can’t suggest anything under $100 and say, “this should work,” with a clear conscience. The tripod is such an important piece of equipment in any filmmaker’s collection so being frugal on one is ill-advised.

Here are three suggestions ranging from beginner to professional quality.

Beginner: Magnus VT-4000

Enthusiast: Manfrotto MVH502A

Professional: O’Connor Ultimate1030D Fluid Head & 30L CF Tripod with Mid-Level Spreader

Feel free to ask any burning questions you may have in the comment section below. Good luck and happy shooting!

Tech Tuesdays - Steadicam

Welcome to the all-new series, Tech Tuesdays, where I go over a popular piece of equipment used in film-making and tell you if it's worth the investment for your own videos. Today, we'll be looking at the Steadicam.

If you’ve ever tried shooting a video on your phone, you may have noticed that videos tend to be very shaky. People are constantly moving even when standing still—you can’t just not breathe, right?

A tripod does a terrific job at keeping shots steady, but that doesn’t help when you have to walk with your subject—not everyone wants their videos to look like Cloverfield.

Here enters the Steadicam.

Working a Steadicam can be great exercise as well.

The Steadicam, in essence, is a counterweight system designed to remove unwanted movement while filming. Products range from a stick with a handle all the way to a vest, mechanical arm, and two-handed gimbal system with counterweights for every degree of movement.

Image Source

Do you need a $3,000 Steadicam rig to film your make-up tutorials? No—at least I hope you don’t. But if you do a lot of videos that have movement, then a decent $100 Steadicam might be worth the investment. It all depends on what you want to shoot.

The problem with any piece of filming equipment is that they are tailored to doing one specific job. Many professional film-makers will actually have multiple Steadicams because some products are designed better for a specific shot than others.

That being said, if you’re a serious film-maker and want to take your films to the next level, the Steadicam is a great place to start.

If you had a Steadicam, what would you use it for? Also, be sure to check out No Film School, it's a terrific resource for learning about, tech, techniques, and logistics within the film industry.

Down the Rabbit Hole

When I first started looking into film-making, I was immediately sucked into the endless abyss of shopping for equipment—and for good reason. Look at any major film-making YouTube creator and they will tell you that equipment is extremely important.

“So you want to make videos? Well you’ll need a DSLR camera, a tripod, various lenses, tons of batteries, multiple LED lights, gels for those lights, some lavalier mics, some shotgun mics, a boom pole, a camera rail slider, a jib attachment for your tripod, a Steadicam, high-quality headphones, a digital recorder, etc.—all for the small investment of $10,000.” - Pro YouTuber

While equipment is very important, it deters a lot of potential film-makers from pursuing the profession due to the sheer amount of gear to purchase.

Too many beginner film-makers, myself included, get caught up in researching new gear that there is little time for anything else. If all your time goes into researching your next big purchase, your videos aren’t going to be very good, if made at all.

What’s more important is building up your understanding of how films are shot rather than what their shot with.

Other than grabbing a book on cinematography, there’s no better resource than watching movies—lots of movies. Critically acclaimed or 4% on Rotten Tomatoes, leave no stone unturned. Learn what you like, what you don’t like, what could be done differently, and use that knowledge to help you create your own films.

What better homework assignment than binge-watching Netflix?